The research of Saddie Choua is related to the prelude "How do I make images about minority groups?" Starting from her own practice as a visual artist, video artist, documentary maker, she wonders how art can work in a political emancipatory way within our current patriarchal, racist and capitalist society?
How do you make a film that is not only a transfer of information such as in a documentary, but that is also transforming? A film that not only provides knowledge about the world but also generates self-insight? A film that makes clear your own position within power structures? How to speak and depict in a different way from a sub- alternal position, or is it just the concept of "the other" that confines us in dominant images and narratives?